
you know you're really living in a place when you get the flu that's going around.
here i am.
it was great to wake up way after 4 am today. and watch babette eat, slow and methodically, a baby rabbit after our walk Saturday evening, and {me, myself} eat 2 fat and supple figs from the fig church, and see an entire bowl of Santa Rosa plums on the dining room table, and notice an orchard ladder next to a few fruit trees, and look down on the Napa River at dusk, and look forward to a day of nothingness interspersed with long walks with the dogs. especially after a week of 10 hour baking days starting at 5 am.
large hares bounding slowly, their long bodies arching long and wide
scent of mowed grasses, dry and sharp underfoot
abu & babette's ears, flapping in tune with each other and four foot dance trot
a clear, dark outline of one deer, stilled,
and I stilled as well, viewed in secret, between levee and vineyard
a sense that isaac was on our walks with us
the Napa river, shallow but calling my name
from way way down ravaged river walls
one extra ordinarily grand Great Blue Heron startled by our morning walk,
lifting off immediately, unfurling fantastic wings tucked, and flying, unbelievably, through the river's fallen trees, up up, and disappearing
mosquitoes who will stop at nothing, including socks and bug spray and trousers, to sting me
an almost full moon casting thick silvery moonlight
and drafting clear shadow outlines of barns and tree canopies
one Royal Blenheim apricot ripening slowly
guiding those I love through a place I love
hundreds of swallows dipping and swooping
over an orange-golden field at dusk
glimmering dried grasses swaying, rocking
adult quails followed by dozens of tiny quailettes,
their tiny head dresses trilling faster than the speed of sight!
babette, arched and exhilarated, tail curlique as a scorpion,
at the prospect of catching a squirrel on the levee
seeing smoke on the horizon that is really topsoil upset by one tractor
barely ripe tomato, eaten, from the summer garden
morning skies viewed through Live Oak and Redwood tree branches
inviting people into the fig church
explaining cardoons to Easterners
tiny bunny, dead, at abu's feet
ground shadows of hunting hawks
listening to the wind before it arrived
eating green almonds
spending a Friday morning with my favorite 78 year old farmer
and feeling the morning go from cool to hot in few hours
cutting open green walnuts, still liquid where the nut meat should be
calamine lotion legs, hot pink exposed under summer shorts
the scent of calamine like camp and grandmothers
an itch that is hot with unbearable-ness
having time to catch up on old New Yorkers
laughing aloud at Jay Raynor with no one to hear me but the dogs
bright sky, bold green grape leaves, dark vineyard in trellis-land:
a three layered painting of opposites, at the same time
dusty shoelaces
sunscreen and still and Irish face reddened
bug bites galore
the quiet of nothing all the day long
a valley of light long after sunset
coyote skat filled with cherry pits
countless acorn hats
inpenatrable black walnuts and their finely dollhouse sculpted interiors
finding the old tractor
dense fuzz of young peaches
green figs camouflaged
one lemon gifted to a friend
seven days without music, or news
late nights with books in hand
long talks with faraway friends
burrs in furry friends' ears
a bird-stripped elderly cherry orchard
going out to eat at Ubuntu and then having more dessert at Redd!
visiting friends at Fatted Calf
mint chocolate chip ice cream from Three Twins
running into the most beautiful man/pastry chef, Gary Rulli, at The Oxbow Market {falling into his green eyes}
cooling the little farm house down with night air
green blackberries reaching out, waterless creek
skyscraper tall eucalyptus trees
freshly painted barns
rabbit warrens everywhere
coconut perfume breeze through fig trees
walking far far away with the dogs
babette stalking, leaping and bounding in tall dry grasses,
psyching out small, hiding, frightened mammals
abu playing a game with me at dusk,
running in wide circles, like hide and seek.
remembering
memory,
a silent movie of every visit, every stay, every walk with the dogs,
every sleepover, every intimate moment,
a whirlwind romance,
a deep friendship,
a geography where my roots lay claim
love.
where my heart is, here.
this here is proof that dogs, when allowed to be dogs, are not vegetarian. baby bunny.
I've seen a lot of rabbits at the farm lately. the older ones are pretty brave, leaping across the road in front of the dogs, here and there and everywhere. but the little ones aren't as fast, unfortunately.
babette, the small female dog, is an excellent hunter. she's fast and can run over 40 mph under the vineyard watering hoses and trellises. abu, babette's slightly larger half brother, isn't as fast. I found him with this baby rabbit though, at the end of our morning walk. it could be that babette gave her prize to abu, or that she found baby bunny and ran it straight to abu.
every stay at the farm is different and I see changes in the dogs as well as other creatures who live and visit depending on more factors than I would know how to see, determine or reason why. this visit will be remembered by bold hares and dusk skies filled with raptors. everyone is hungry. most especially the mosquitos, who couldn't be happier about my stay.
I took this photo.
at the farm.
and tomorrow
I hope to take some more like it.
The farm is where I go to remind myself that I am whole.
No matter what is happening or not happening in my life.
I never look at this gift
and think it's there because I deserve it.
I remember that this gift is grace.
And that like all gifts,
it could disappear at anytime
but that does not mean that I could disappear at anytime.
This is an important distinction.
It means that no one can decide my fate without me participating in the decision making process, unless I am physically incapacitated, which I am not.
As I said to a friend of mine tonight,
"I am letting the thoughts run through me but not let them to run me off the road."
For in all crises, in all departure, there is confusion. One must cycle through hundreds of conversations to try and make sense of the most recent one.
It's a strange fact.
But after all the ticker tape there can be pattern, and then,
answer.
Or at least an answer you can be comfortable with wearing.
For a spell.
It's like a spell. A faerie ring. The dance is so joyful, ecstatic, and then it's exhausting and you're treacherously bound to the movement, pushing on beyond all physical limits.
i would like to remember you as you were
pretty and decorated and mine
a space I created from a long neglected one
~
I'm glad,
and grateful,
that memory plays tricks on us.
Going to the farm month after month, season after season, year after year,
means I can always see it anew.
The other day I caught one of my favorite preparations from the restaurant on film digitally: braising octopus. Michael is passionate about where these animals come from and he works hard to keep its preparation consistent. I love watching it start to finish and it's my favorite dish to order or suggest to friends who come in.
Octopus is easier to mess up than it is to make delicious and tender. I've worked with chefs who are good at both destroying and honoring this incredible creature. Some say it's outcome has to do with the size of the animal but I disagree as I've had both young and mature rubbery octopus. I think, as with all ingredients, animal or not, it has to do with understanding the molecular make-up of the ingredient's flesh, skeleton and its natural habitat. A collard green likes to be cooked longer than spinach because it grows in harsher conditions and its leaves are much thicker. Some citrus peels needs a lot of blanching before candying, while another needs none.
I have some conflict with eating octopus because I have always felt related to the sea and all the creatures who live in water. When it comes into the restaurant I try to send my thoughts its way. But I was excited to have my camera to photograph some of the process the other day, because these animals are so magnificent.
When I work with chefs who treat their menu ingredients with respect I can appreciate their food much more, and conversely, make desserts which follow their savoury thoughts that much better.
Working in a restaurant is building a relationship. It's hundreds of relationships and it's one, all at the same time. One of many is the relationship we all have with the myriad of ingredients and those people who get them to us from land and sea.
As I've begun to document, photographically and with words, the daily life of the kitchen I call home, I see there are layers and layers of life going on every second, every minute, every day, with every aspect and every person and every action. It is not possible for me to tell all of these stories, I am not omniscient. I am merely attempting to give you a glimpse, a peek from the inside and to the inside, with as much respect as possible.
For more photos of the octopuses and their braise preparation, check them out on flickr.
When I see little tricks people use in their homes I steal them away. And I share! I love sharing. Sharing is caring. Do I sound like a Pollyanna? No matter, think what you like, hoarding great ideas is not in my nature.
Last year I had the pleasure and honor of seeing the kitchen and partaking in a homemade bread lesson with a humble but brilliant gentleman and his observant, well spoken daughter. This fellow, we'll call him The Wrangler, lives in an apartment. It's not a New York or Parisian apartment in that the kitchen is an actual room and not an idea, but it is an apartment nonetheless. It is not a house with a backyard.
But this space is not a negative one. It is full of life and projects and comfortable chairs and warm scents.
And Mr. Wrangler has hundreds of worms in his apartment too! You don't smell or hear or see or sense or know of them until you're let in on the secret. It's amazing. He's brilliant. (I should mention that I also had the delightful opportunity to gaze in at Marc's worm friends as well.)
Just think, you could get a nifty black box with some hardworking creatures and have you some deep dark soil in mere weeks, and be as smart as these fellows...
If you don't live in a city or state which makes composting part of its citywide garbage collection system, VERMICOMPOSTING might be just the ticket for you...
Check out this thorough article written by Nicole Spiridakis on this very intriguing subject in the SF Chronicle!
I write a lot about the farm. Even though it's name is Massa Ranch. I say it's in Napa and it is although really it's only about 1 mile south of Yountville. {Everyone gets all bristly about their appellation up there!}
If you want to see a snapshot of my last visit, check out the Flickr set here.
have I told you lately how much I love Flickr? I do. I think everyone who takes photos should be on it, sharing amazing images with all who have access to a computer. What a nifty idea, no?
Remember, sharing is caring.
It's amazing to see the world from everyone's eyes! From the perspective of anyone and everyone, from all sorts of cameras and lenses, from those who have never see what they are shooting before to those that shoot the same subjects over and over, their whole lives.
Photography is powerful. Images are beyond words. Color is magnificent.
And being able to see what others see is beyond description.
If you're going to visit Napa, now is the time. It's my very favorite time to be traversing the valley with windows open wide. Day or night.
Visit a farmer you know and love.
The whole valley smells of fermentation, sugar, must, crinkly dry leaves, dirt, yeast and autumn. Go now to buy walnuts whose shells are still dusty from the dry ground. Go now to feel the last of the warm sun on your face. To see a denser sunset than the one barely making it through the fog in San Francisco.
Go and watch your dogs run free, pick up the scent of a hare and chase it for acres! Go to see the swallows dip and dive and hunt for bugs at dusk. Take note of the dry Napa River and listen to the leaves fall on each other. It's the loudest sound you'll hear if you listen closely.
Go to Napa Valley to see leaves change. To pick figs off of soon to be hibernating trees. Go to see thousands of acorns on the ground or stacks of grape picking bins reaching towards the heavens, by the side of the road. Look out for the pickers as dawn sneaks up on you and tailgate a truck carrying thousands of tons of round succulent fruits.
I go to the farm because it feeds me. And because, as of late, I have been feeding many others, it was time to hook my empty tank up to this place I love, feel connected to, return month after month, photograph day after day, and watch, stare, take in its changes. I know people to have lived and died here. It is my place to visit memories as well as those still alive.
And as October and fall draw us in, Napa Valley reaches its highest peak of ripeness, a crescendo of sugars and complex fruit flavors, razor sharp knives are drawn like tiny scythes, plants go to seed and dry like brittle caramel, creek and river beds pucker severely before torrents of rain arrive and the whole valley, hill to mountain to mountain to peak captures the scent of harvest, crush.
I drove home with the windows open. And if you've never experienced Napa in October I encourage and beg of you to go now.
you all are so smart.
you guessed it right away.
if you're in LA, please get to The Getty. Bring sunglasses and plenty of water. And a sweater for the inside, sunscreen for the outside.
this place is a temple. on top of a hill. in the sky. water makes a trickling sound but you pinch yourself because it can't be real. all this stone, people under umbrellas. they're so smart there they made the patrons art.
and this thing? it hangs in the sky of the main building. it's vast and wild and inviting and, if you're standing there at the exact right moment: it's musical too! It's name is: Überorgan
the Edward Weston show was also beautiful. when I'm at a museum I forget how much art feeds me.
{interested in seeing the whole Getty Museum photoset on Flickr? check it out.}
have you seen any art lately you've fallen in love with?
What is The Mermaid Day Parade? Where is Coney Island? (IS it an island?!) Why do you go? Who goes there? Will you march? Why or why not?
And what the hell is it all about?
The Mermaid Day Parade. It could be like the word you know in your native tongue but has no translation. It could be the sixth sense. Nonsense. It might be something "you have to be there for." A joke. In all seriousness. Maybe you have to be from
Brooklyn to understand it. Or from nyc. Or have grown up eating it to be able to make it, to describe it, to imbibe or digest it. Maybe it's something in the water. Like a bagel that won't be a bagel made with California water. Or maybe it's an acquired taste. Like black salty licorice or raw artichokes or sea urchin.
The Mermaid Day Parade. Like a tattoo, addictive. Permanent. Sexy. Wild. Tame & Silly. Underground. Amphibious. Insane. Wacky, like a "nut-job," a "head-case," a " what the fuck were you thinking?"
The Mermaid Day Parade. Hot, sticky, bad junk food, steamy steam table corn-on-the-cob, beer, splinters from the boardwalk, sunburn, toplessness, glittery bodies, leather and spandex and rubber and body paint, primary color dyed hair,
queerness, machismo, drugs, money, sex, violence,
pay-by-the-hour-motels, cotton candy, red candy apples, litter, broken glass, hip hop at the loudest decibel, salsa and meringue in the afternoon, boom boxes, crass men and slutty women, bikinied pregnant girls, fags, Guido's, spics, kikes, dykes, dogs, snakes, parrots, bare-feet, hipsters, trans-fags, fatgirls, Russian princesses, spoiled brats, hairy legs and armpits, face-lifts and fake tits, fried clams, greasy french fries, The Polar Bears, Bridge & Tunnelers,
con-men, prostitutes, single mothers, absent fathers, dirty sand, dirtier water, cigarette smoke mixed with staid salty air, tar sticky logs, volleyball nets, tiaras, fake eyelashes, tight shirts, matching outfits, cornrows, crewcuts, pierced and jewelryless.
The Mermaid Day Parade is everyone and every fetish and everything. It's babies in swimsuits and boys in tutus and marching bands, real or imagined. It's political and apathetic, in your face and subtle.
But most of all, The Mermaid Day Parade is just that. A parade of all things above and below the salty waters from any shore on every continent. Mermaids and crustaceans, fish and whale, crab and lobster, shark and pirate, sailors and sirens.
Come as you are. Come dressed up. Come done up or tossed together. No
matter.
But come with an open mind. Sunscreen. Hungry, and thirsty. Be ready to get dirty or see dirty. Prepare for loud and crowded, colorful and abrasive, alluring and seductive, historical and gentrified.
I got it into my head that I would make it this year. And I did. Sometimes if we try really hard, dreams can come true.
This year The Mermaid Day
Parade celebrated its 25 year anniversary! I hope, that if you've never been, or even if you have, you can make it there one year. It is indeed, a sight to behold.
ta ta for now, as Pooh would say.
it's been a loverly week
spotting rabbits and bush bunnies and a hunting owl and a massive great blue heron and a few white egrets and talkative swallows and narrowly escaping quail, ground squirrels, gophers, and watching the dogs run and eating cherries from the orchard and photographing all the new fruits yet to ripen, and showing Aaron the fig church and making supper for Noah and walking around in shorts and writing and reading and eating pie & ice cream made by Aaron (brought from the East Bay!) and feeling the wind wash over me.
thank you for coming along.



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